Please use this identifier to cite or link to this item: https://repository.uksw.edu//handle/123456789/6199
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dc.contributor.authorRani, Lanjarid
dc.contributor.authorWiloso, Pamerdi Giriid
dc.date.accessioned2015-07-22T02:02:15Z-
dc.date.available2015-07-22T02:02:15Z-
dc.date.issued2013-11-
dc.identifier.issn16936248-
dc.identifier.urihttp://repository.uksw.edu/handle/123456789/6199-
dc.descriptionCakrawala : Jurnal Penelitian Sosial. Vol II, No. 2 November 2013, p. 369 – 387id
dc.description.abstractThis study took the title "Critical Discourse Analysis Pagelaran Wayang Kulit in Lakon "Petruk Dadi Ratu". This issued is a discourse that emerged from the shadow puppet Lakon Petruk Dadi Ratu. The purpose of this study was to determine the discourse of Lakon Petruk Dadi Ratu and why the discourse has a structure in such a way. Petruk Dadi Ratu is lakon carangan whose existence is played as a different opera and beyond pakemisasi pagelaran during the wayang kulit. The plot is lifted with a different feel and play with the new way of delivering mastermind who uses improvisation in the plot, according to his trademark. That's because the pattern of political and protest in the Lakon. One of them can be seen in the Lakon "Petruk Dadi Ratu". The play is an improvised play where puppeteers give something more current and in accordance with the realities of life as a form of socio-political critique of what is going on in the current government. Existence pagelaran puppet puppeteer with skin and attitudes provide moral and political messages interesting to study through critical discourse analysis approach. This study uses Critical Discourse Analysis by Norman Fairclough model approach. The data were analyzed in three dimensions, the dimension text, dimension discourse practices, and sociocultural dimensions. This study also uses Foucault's theory to see how the shadow puppets as a form of knowledge and power in a critical discourse analysis. After analyzing the data obtained resulted in a change in the puppet world pakemisasi the other side in a leather puppet pagelaran. This was due to the progress of time to pack art and ideology became more interesting shadow play and can maintain its existence. This is shown through the play Petruk Dadi Ratu shadow puppets in a lakon carangan.en_US
dc.language.isoiden_US
dc.publisherFakultas Ilmu Sosial dan Komunikasi Universitas Kristen Satya Wacanaid
dc.subjectlakon caranganid
dc.subjectPetruk Dadi Ratuid
dc.subjectpoweren_US
dc.subjectleadershipen_US
dc.subjectcritical discourse analysisen_US
dc.titleAnalisis Wacana Kritis Dalam Pagelaran Wayang Kulit Lakon "Petruk Dadi Ratu"id
dc.typeArticleen_US
Appears in Collections:Cakrawala 2013, Vol II, No. 2 November



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